🌙

Wed, Jun. 11th, 2025 18:36
adore: An Edwardian gothic girl levitating in the woods (vetsdaughter)
[personal profile] adore
Moontime began today. I've got tea, pain relief cream, and some cloth pads as extra backup while I use period underwear.

My well-meaning friend, Sre, messaged me saying that she was sorry if this would bring up any negative feelings for me, but she knew mid-20th-century writers are my jam, and would help me shop for them when she was in my city. She attached a picture, and I didn't process it correctly at first, because it was a shelf full of Persephone Books. I assumed it was a picture from Persephone Books themselves, since they have a store full of shelves of just their books. I thought she was offering to buy one for me and bring it with her when she came here. I told her that she was sweet, and right about them being my jam, and also that after years of being unable to pick up a book without pain related to the bookstore that broke my heart, referred to on this journal as Spinebreaker, it was books like these–Virago green books that were out of print, and Persephone Books which are unavailable in my country, that helped me read again, specifically because I knew Spinebreaker would never be able to stock them. The owner had said that she was trying to bring Persephone Books to her store and wasn't able to get distribution here, and that was a few years ago.

Sre said she didn't know getting them here had been a challenge–and that's when I realise that the picture she had sent me was of Persephone Books stocked in Spinebreaker, and that's when I realise that she didn't know that I didn't clock it.

I've posted here before about moments when I was at risk of relapsing and didn't, and how far I've come and all that. Well... this particular moment is a struggle for me. I've been struggling with sorrow, suffocating waves of them, because... this is a bit like that moment when I visited Spinebreaker for the first time, saw Barbara Comyns on the shelves, and thought it must be A Sign because I had never seen her books here before. A whole shelf of just Persephone Books, in MY COUNTRY not to mention my city? It seems like a miracle. It was something I didn't think was realistic. Just like that whole damned bookstore, just like seeing Barbara Comyns stocked there, just like the chance to work there... it was just never realistic.

At the moment, I happen to be reading Amelia's Intrigue by Judith A. Lansdowne. It's sweet, gentle, cosy, funny and endearing. A perfect comfort reading. It's also out of print so Spinebreaker can never stock it, so there. I'm enjoying it.

When I was bringing myself back into reading I picked up books that would never be stocked at Spinebreaker, or so I thought. Books the owner couldn't get, books that were out of print, and books that were independently published or books she doesn't want to put on her shelves. I got to read some amazing indie books by friends on DW. I also bounced off quite a few books that are made for the indie market but not made for me, just not the sorts of books I enjoy.

The thing is, I imprinted so hard on Spinebreaker because of the books in it. I identified with it so hard because of how it's curated. This means that a book that is stocked there is highly likely to be a book I'll enjoy and a book that's not stocked there is not likely to be a book I'll enjoy. That sucks. But it is what it is.

I have to be okay reading books that are also stocked in Spinebreaker. I have to enjoy them without pausing for pain. I have to get to that point, and I guess I'm frustrated that I'm not there, that I've not healed completely so that there's no chance of feeling all that hurt all over again. It's also the kind of thing that very few of my friends IRL understand, because it just seems trivial to them, like they don't understand why it's been affecting me so much. So I'm glad I can journal about it here.

I'm touched that Sre thought of me when she saw the sorts of books I love, so I don't resent her bringing this up. I would have found out eventually. Because most people I know, including my closest friends, go there regularly and they have talked about the books they've gotten there without me feeling like this because those were books that were accessible otherwise as well, and available elsewhere. But I bet I would have heard about these at some point.

Sre said she could take me to Spinebreaker when she's in my city, if it would help me if she's there. I thanked her and told her I'd rather not go as I don't feel welcome there. I mean, the owner blocked me, lol. She said that instead she could go buy me a Persephone Book from there, but I really don't want to give Spinebreaker any money. Since all of the authors of Persephone Books are dead, I'll pirate them if I can't access them any other way. I love the publisher though and will buy their ebooks when possible; they don't publish most of their books as ebooks, which I think is a pity, but they do have a few in ebook format. I bought Diana Tutton's Guard Your Daughters that way, and of course they've made Miss Pettigrew Lives for a Day by Winifred Watson available as an ebook, since it's their star title.

Recent reading

Wed, Jun. 11th, 2025 01:53
egret: egret in Harlem Meer (Default)
[personal profile] egret
A Spoonful of Murder by J. M. Hall - A delightful cozy mystery about a group of retired school teachers in England who meet for coffee once a week and solve murders. In this one they are told that their also retired former principal died from an unfortunate dementia-related medication mistake, but they have their doubts! This is the first one in the series and I look forward to more. 

The Quest for Annie Moore by Megan Smolenyak - Smolenyak is a celebrity in genealogy-world. Her latest is a deep dive into the story of the first immigrant to land at Ellis Island. Smolenyak looked into the records supporting the life story of Annie Moore and discovered gaps and misidentifications. This book is the story of her years of extensive research to correctly identify this impoverished Irish immigrant and trace her life. (Spoiler: Moore spent the rest of her life on the Lower East Side in NYC.) I read it for the Virtual Genealogy Society online book club and I really enjoyed it. I think anyone interested in immigrant genealogy would enjoy it. But it really is about the adventure and thrill of tracking down elusive records, especially since much of the research was done before so much was digitized. So maybe not for the general reader. But the book club discussion was very lively and threatened to run over the time! 

Dead Man's Grave by Neil Lancaster - First volume in a police procedural series set in Scotland. It started out really great with a blood-feud-based murder but sort of trailed off into gangster-related corruption in the police force. I don't know that I will continue with the series because I found the Scots accent very hard to follow in the audiobook. This is a personal failing -- I always find Scots accents hard to follow. I suppose I could read with my eyes but I don't care that much about police and their supposed nobility. 

Lies Bleeding by Ben Aaronovitch - This is the 6th Rivers of London book. I do really love these but might take a little break because spoiler )

Currently reading: Herland by Charlotte Perkins Gilman. I want to like it but it's uphill. Maybe it will pick up. I wish I had not started reading her autiobiography and learned what a rightwing eugenicist she was because now I am biased against her. (Reading it as part of my Feminist Science Fiction open source anthology project.)

Hua Hsu on fandom and copyright

Tue, Jun. 10th, 2025 01:19
egret: egret in Harlem Meer (Default)
[personal profile] egret
In a recent New Yorker (paywalled link to article), Hua Hsu wrote a favorable review of the fanworky film Pavements, which is about the band Pavement. He liked it. But he also considered the big picture:

Just as a generation of young people now picture Timothee Chalamet's wispy mustache when they think of Dylan, it's likely that many fans understand N.W.A., Queen, Bob Marley, and Elvis Presley almost solely through their recent, varnished bio-pics. There are Bruce Springsteen and Michael Jackson movies due for release this year, as well as four separate Beatles ones slated for 2028. Perhaps pop-music history will soon exist only in the form of authorized, brand-managed hagiographies. Netflix recently announced that a nine-hour documentary about the complicated genius of Prince, directed by the Oscar-winner Ezra Edelman, would not be released, because of concerns raised by the artist's estate. Even in the lower-stakes world of publishing, a celebrity can mobilize her fan base against anything deemed unofficial. Adoring books about hip-hop musicians such as Mac Miller and De La Soul have been criticized by the artists or their estates -- basically for being journalistic endeavors. 

When careers are seen as intellectual property -- and when, with the decline of album sales, one's back catalogue becomes an even more valuable resource -- legacies will be guarded with a lawyerly vigilance. Messiness gets edited out in the name of a few key narrative turning points. The possibility that an artist today would ever offer the kind of access that Metallica gave for "Some Kind of Monster," a 2004 documentary that famously featured the band in therapy, seems as likely as the prospect of American politicians welcoming the scrutiny of reporters. 

In the absence of friction, contemporary bio-pics are just a series of boring victory laps. Intention and accidents, theft and boorish behavior: it all gets folded into the myth-serving lore. And it makes fools of us fans. The magic of pop music isn't just the star on the stage; it's how the crowd sways, and what fans do afterward with the feelings inspired by the show. All this made "Pavements" feel more exceptional. It seemed to exist adjacent to the band. A true fanatic's take, it aspires to be as heady and as weird as the band itself. Perry's aggressively clever story about Pavement is different from what mine would be, yet I recognized a fellow-traveler. In making something so intensely loving, he points out the banality of modern-day fandom, in which we're all expected to be brand ambassadors, reciting someone else's gospel. 

 
I think he's right about the branding and the IP monetization. I believe musicians should be paid for their work, and paid well. But I also remember making mixtapes, impossible now because of DRM, so we are reduced to sharing playlists and hoping the recipients have a compatible streaming service. Sometimes I feel sad about my long gone vinyl collection which included a significant number of one-off bootleg pressings of various artists. As our individual access to creative technology increases (entire films made on smartphones now), our fannish field of operation becomes more heavily policed and gatekept. Official merch is never as interesting as the fan productions. I wonder how many of our fandomI forget  debates are influenced by an internalized version of this policing and gatekeeping? Not to mention the external problem of legal liability.

I forget where I read an article about the cancelled Prince documentary but it sounded like it would have been amazing. I don't really have the heart to look for it.


source: Hsu, Hua. "You're Killing Me: Pavement Inspires a Strange, Ironic, Loving Bio-pic." New Yorker, 26 May 2025, 66-67.

Still Here

Sun, Jun. 8th, 2025 14:13
gothfvck: GF logo (Default)
[personal profile] gothfvck
Hails!

I'm still undead. I've just been busy dealing with life. Most of my posts have been short and on my microblog. Maybe I'll get to updating here more often. Still trying to get my office space set up properly.

follow me in the Fediverse:
https://metalhead.club/@GothFvck

Female Doctor?

Sun, Jun. 8th, 2025 07:59
apachefirecat: Made by Apache (Default)
[personal profile] apachefirecat

I didn't want to be, but after stumbling across this this morning, in a single viewing, I am SOLD.



//cracks knuckles

Sun, Jun. 8th, 2025 06:26
adore: (word witchery)
[personal profile] adore
I'm participating in The Wheel of Chaos in which we collectively pounce on our keyboards and become chaos gremlins for an unforeseen amount of time. Signups are here: link!
apachefirecat: Made by Apache (Default)
[personal profile] apachefirecat

Please be sure to stop by and give the creators some love! Remember, feedback is the breakfast of Champions!





Read more... )